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苏百钧,中央美术学院教授,中国美术家协会会员,兼任中国美协重彩画会副会长、中国文化部现代工笔画院副院长。全国美展评审委员。年生于广州,自幼随父亲苏卧农习书法、绘画、文学及画论。于广州美术学院中国画系获硕士学位后留校任教。年作为重点人才调任中央美术学院国画系,为硕士研究生导师,花鸟教研室主任、研修部主任。作品曾获文化部、中国美术家协会等主办的展览金奖一次、学术奖三次、大奖两次、铜奖三次。出版个人专集二十三种。其中《当代名家艺术观——苏百钧创作篇》被教育部批准为“普通高等教育‘十一五’国家级规划教材。
涟漪年
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鸟巢系列·松鹤图
圆寂
蒲花cm×cm
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春寒年
获全国第五届工笔画大展学术奖
露寒年
获全国第四届中国工笔画大展铜奖
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冬种之二年
高秋集禽图66×91cm纸本年
秋桐×cm纸本年
谧·花间之四×cm绢本年
鸽子与菊花55×45cm纸本年
高山含笑46×65cm纸本年
昨夜风雨×cm绢本年
向日葵年
寂寞,是画家们在艺术创作之路上形影不离的伴侣,而常随工笔画家左右的,更是寂寞中的寂寞。甘于此寂寞之道的可谓比比皆是,而享受其间的试问又有几人。现代著名工笔花鸟画画家苏百钧先生却是其中之一。先生不仅是美的享受者,更是美的缔造者,他在五十年的从艺道路上,创作的数百幅美轮美奂的工笔画大作,不知感动与震撼了多少观画者的心灵,更不知改变了多少学画者的人生轨迹。
无论是先生在工笔画坛独树一帜的天然古淡、幽远静穆的美学理念,还是他心素如简,人淡如菊,胸无尘滓,不求名利的人格魅力都时时感染、影响着作为弟子的我们。更让我们折服的是先生对于艺术创作的勤奋、执着与智慧:他虽已年过半百,却笔耕不辍,每次拜望,先生总在画室埋头绘制新作,且创作水平一直稳步向前,不曾停滞。面对这种数量与质量,我们在惊喜之余,也为自己的浮躁与懒惰而汗颜,先生的精神力量从来都是一面旗帜,让我们在自己的艺术创作中,永远满怀信心与动力。
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